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colleen H Wellof Exaggeration

When you first come across a painting that turns out not to be a painting, but rather an arrangement of pieces of fabric sewn together, you might feel tricked.  But never mind how it’s done, your eyes are right: it’s got everything a painting should have, except paint.

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Canada is not known for boasting, but there’s no getting around the fact that it boasts one of today’s finest practitioners of the stitched fabric picture.  Her name is Colleen Heslin.  Two Images above and four below from her website and that of Monte Clarke Gallery in Vancouver.

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You can’t help but think there is a connection between what Ms Heslin is doing and what tailors and seamstresses and emergency room doctors attending to flesh wounds do on a daily basis.  But whatever the connection, you won’t be able to hold it in your head very long once you see these pictures live and up close.  There’s only room for swooning.

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Ms Heslin is one of a kind, through and through.  Still, curiosity got the better of us and a little searching revealed that a few other contemporary artists have put down the brush and taken up the needle.  One is from Denmark and he is Sergej Jensen.

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You can find out more about him from this report on a show in Denver 

And to see these and more images in context, just put Mr Jensen’s name into mother google’s magic window.

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People bent on explaining Art are trying their polysyllabic damnedest to claim this stuff for themselves by naming it, for example here. But we’ll have none of that.  Let your eyes do all the work, see where they take you.

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We landed here, and our last word on the subject is boro.  Apparently Japanese patchwork from quite a while ago.  Crazy boro.

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Pieter Bruegel, Flemish, born almost 500 years ago, was a miracle of a painter who gave us images we can still understand and delight in without a thick book or an expert.

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Most of his pictures have their origin in the Christian Bible, but if you never saw a Bible in your life you would see and feel the humanity of what is staring you in the eye.

And you would see the children, somewhere in the frame.

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You need to look, sometimes, for the children.  But they are almost always there, busy, preoccupied, stocky/stubby, lovely.

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This is a detail of the Census of Bethlehem

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Wherever you find them, these, Bruegel’s children are identifiable as today’s children, even if so much around them is bizarre.

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Above, The Hunters in the Snow also known as The Return of the Hunters, is a 1565 oil-on-wood painting.

It is a quiet cold wonder in the palace of great art–thanks in part to those small boys and girls.

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Sometimes the best discoveries don’t require meticulous planning, a long journey, or special shoes.  Sometimes you just have to see what’s in front of you.

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This is some of what Belgian photographer Harry Gruyaert has been seeing and recording for the rest of us over the last 40 years.

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He is credited with helping to prove the point that European photographs could be in colour and still be taken seriously.  Not that there is anything wrong with black and white.

ITALY. Sardinia. Near the town of Cagliari. Poetto beach. 1998.

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SOUTH KOREA. Seoul. 2007.

Mr Gruyaert claims that he doesn’t think much about all this, and he avoids talking about it if at all possible.

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The British Journal of Photography did manage to get a few words out of him, which can be read here

All images © 2015 Harry Gruyaert / Magnum Photos

 

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Twenty years ago or so, we came across a neat little book that told the story of a graphic icon: the funny little man, as the author (Virginia Smith) called him.  On the cover was a truly dapper Parisian gent created by AA Cassandre for Dubonnet, the aperitif made with fortified wine, herbs, and quinine.

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As we recall it, the book (check it out here) tells the tale of how companies, mainly companies selling alcoholic beverages, mainly in Europe, mainly in the 1920’s and ’30’s, often gave the job of promoting their product to a little guy.

You can find some lovely drawings by AAC here presenting the little guy doing all kinds of stuff.

It seems that Chaplin’s Little Tramp had pretty much started the whole thing rolling.

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The book has disappeared from our local bibliotheque (though still available, it seems, from the warrior woman), so we went looking on our own to find some colourful little guys hard at work

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Ads for the Italian herbal aperitif Campari have used a weird little jester/devil of a man in a body stocking wrapped in an orange peel.   Nothing about Campari is ordinary.

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The artist is Leonetto Cappiello, nice site in French here.

 

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Cointreau has favoured Pierrot as their pint-sized sales guy graphically

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and ceramically

 

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If you, man or woman, drank aperitifs in European bars in the 1920’s, chances are you lit up a cigar at some point. This little German guy was the guy to call.

 

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But if you wanted music with your beverage, at home, you’d ring up Little Mr Disquehead  shown in this Dutch design for record players, disques, and radios.

 

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Yes, you can say this is not a little man at all, but I don’t think we should exclude the hard-working fella just because he is red and has a trunk.

 

For now, we’ll say goodbye to the funny little guy by way of a little portrait of Mr Chaplin himself, apparently by himself, sketched on a cocktail napkin.  Salute.  Santéchaplin

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